close logo

Launch of Center for Avadhanam with Chinmaya Vishvavidyapeeth

Launch of Center for Avadhanam with Chinmaya Vishvavidyapeeth


On the auspicious occasion of the 105th jayanti of Gurudev Swami Chinmayananda on 8 May 2021, Chinmaya Vishwavidyapeeth (CVV) and Indic Academy (IA) are immensely happy to launch the ‘Centre for Avadhānam’, at Chinmaya Eswar Gurukula campus, Veliyanad, Ernakulam.

It is hoped that such a Centre will revive the golden age of avadhānam, become a centre of excellence for the promotion, patronage and performances of this unique ‘performance’ artform. The Centre further aims to re-energise the study of kāvya, sāhitya, purāṇa and itihāsa, create a resurgence in the culture and arts of a past era and create avenues for intradisciplinary and interdisciplinary research in the process of learning and literary creativity.


Initially conceptualised as a cerebral exercise for aspiring scholars to commit the vedas to their memory, avadhānam, a classical art form unique to India, has evolved over centuries into an awe-inspiring literary performance. It exhibits an individual’s superior cognitive abilities such as powers of observation, memory, multitasking, and creativity, through tasks that draw upon multiple frontiers of intelligence.

Though avadhānam (especially sāhitya avadhānam) anchors itself in a long tradition of exceptional performers, it is currently performed mostly in Andhra Pradesh and Karnataka, and is limited to three languages: Sanskrit, Kannada, and Telugu. Performers are fewer in number than one would expect. Owing to the lack of an informed audience, not all variants of avadhānam (saṅgīta avadhānam, gaṇita avadhānam, chitrakalā avadhānam, etc.) are commonly performed. The dedicated efforts of connoisseurs have reinvigorated this art in the recent past. However, if this legacy is to continue, the skills need to be passed on to a newer generation and the public from all parts of the country needs to be made aware of the nuances of this art.

It is in this context that a Centre for studies on avadhānam becomes relevant. A dedicated team will have more success in bringing this remarkable art form to a larger audience and to mould future ‘avadhāni(s)’, who are from various parts of the country and will perform this art in more languages than done at present. It will also encourage research in the field of cognitive studies, pertaining to the feats of memory, literary creativity, and multi-tasking performed by an ‘avadhāni’, at ease under a stressful situation with multiple, simultaneous challenges.

Studies on literary arts have also been included under the purview of the Centre, as sāhitya avadhānam requires literary abilities of the highest order. As part of this, the Centre will also contribute to improving the quality of contemporary Sanskrit literature as well as contemporary poetry in other languages, in classical metres.


Based on the aforementioned rationale, the Centre aims to provide patronage to the art of avadhānam as well as related literary arts in the following ways:

  • Promote performance of avadhānam in more places (across India and abroad) and more regional languages.
  • Provide a platform for varied kinds of avadhānam such as saṅgīta avadhānam, gaṇita avadhānam, and chitrakalā avadhānam.
  • Disseminate information on avadhānam through the publication of new literature on avadhānam in different languages and from multi-disciplinary perspectives.
  • Undertake intensive research on various aspects of avadhānam, such as the history of avadhānam, diet of avadhāni-s, innovations in poetic challenges, etc.
  • Foster interdisciplinary research spanning the fields of literary skills, extempore poetry, rhetorics and prosody of different languages, creativity, memory, cognition, learning, etc.
  • Explore the cognitive processes involved in an avadhānam performance such as memory, spontaneous literary creativity, and effortless and enjoyable multitasking.
  • Create opportunities for transdisciplinary research.
  • Create a considerable number of avadhāni-s from different parts of the country who can ensure the art’s performance in more languages.
  • Mould an informed audience who can appreciate and discern the quality of an avadhānam.
  • Popularise poetry in classical metres.

Major Outcomes

  • It will be the FIRST ever centre dedicated to the unique literary art form of avadhānam.
  • Fulfil the CVV and Indic Academy’s vision and commitment to bring Indian Knowledge Traditions to a wider audience. By organising and supporting avadhānam performances, it will also revive and intensify interest in Indian culture, literature (sāhitya), epics (itihāsas), and performing arts.
  • Through the development of certificate courses and workshops, the Centre will give rise to a new generation of well-versed avadhānis and connoisseurs in languages beyond Sanskrit, Kannada and Telugu, who will ensure the continued flourishing of this art form. The certification by the Centre will become a badge of honour for future avadhānis.
  • Through publications, informative videos, and discourses, the Centre will nurture a repository of knowledge on the art form of avadhānam and allied disciplines. This will be complemented by a dedicated website that provides updated information on all aspects of avadhānam.
  • It will serve as a home for multi-disciplinary research concerning all facets of avadhānam. The Centre will also provide opportunities to research scholars applying to the Ph.D. programme of CVV, to work under its guidance.
  • The Centre will establish a dynamic network of like-minded individuals and organisations, through numerous collaborative activities.